By Pete Billmann
This band is the brainchild of device vocalist Maynard James Keenan and Billy Howerdel, guitar tech for device, Smashing Pumpkins and 9 Inch Nails. Our matching folio to their debut liberate good points note-for-note tab transcriptions for all 12 tracks: Brena * The hole * Judith * Magdalena * Orestes * Over * Renholder * Rose * dozing attractiveness * contemplating You * Thomas * three Libras.
Read Online or Download A Perfect Circle - Mer de Noms (Guitar Recorded Versions) PDF
Similar nonfiction_3 books
The Barbary Corsairs: The End of a Legend, 1800-1820 (Ottoman Empire and It's Heritage) (v. 29)
From 1516 to 1830, the Barbary corsairs ruled the Ottoman provinces of Algiers, Tunis and Tripoli. The years among 1800-1820 have been an important. till 1805, a wonderful revival of privateering permits the writer to give the boys, the practices and the consequences won by means of the privateers. From 1805 to 1814, the Maghrib states gave up a superb a part of privateering on behalf of transportation and seaborne exchange, benefiting from their neutrality throughout the Napoleonic wars.
Technology-Enhanced Systems and Tools for Collaborative Learning Scaffolding
Technology-Enhanced structures and instruments for Collaborative studying Scaffolding is a massive study topic in CSCL and CSCW examine neighborhood. This ebook provides updated learn techniques for constructing technology-enhanced structures and instruments to help sensible on-line collaborative studying and paintings settings.
- The Ritual of Battle: Krishna in the Mahabharata
- The Cambridge Dover Wilson Shakespeare, Volume 22: The Merry Wives of Windsor
- Restructuring the Human Resources Department: Objectives, Methods, Trends (Saratoga Institute AMA Special Reports)
- Nuts and Bolts Series 1: How to Build a Work Breakdown Structure (Beginnings) 1st edition
Extra info for A Perfect Circle - Mer de Noms (Guitar Recorded Versions)
Example text
J u ~ :: • 51 Interlude Ott. ~~ A oJ I Gtr. l ~. ~ v 1: ~. ~ : ~ oJ :-- ~ : :-: 1 d1 1: 1 - :-- I'i ~ ~1 . ~: ~ G6 ~ ~ - -:::~-I ... l. --=~ ~ 1: ~ 1 1"1 : ~ let ring - - -; ~. ~ ~ 1: oJ A :-- I'i : 1 ;::::::::::::~-I 1 :-- '" '" "'-u: 1 ~. ~ c 1 A : 'I~ 'I '" '" :-- I'i : Dadd9 : 1~ 1 ~ ~~ :-- I'i : G6 ~~ 'I ::;::::::::: 'I Interlude End half-time feel Ott. ) ~. ,.. ,.. mf * wI Leslie & octever .. - Ott. : 1 ~ 1 - - - r-- 1 ~ 1 1 ~ 1 -I 1 r-~ ~ 1 r-~ 1 :-~ ~- ~~-------------------------------------------------- * Octever set to double one octave above.
_ •• ~....... I I"''''.... inn lib-er - Fmaj9/A ~ Got- ta Chorus Em? Dl(no3rd) ---- A. 01 cut =" ::-- ~ , - way. ----' - way, Otr. 1 A u . - - - - - - - - - - - - - - - ____ let ring throughout A u ~ 01 mp Pll J- -----,TTl----- Ott. 3 (clean wI chorus & reverb) • * Otr. 2 (clean) ~' wI chorus ~. ~ ~-~. ~~~ ~~r' ~ divisi J~r -- -- r ~ *'" Applies to upstemmed notes. '" baritone gtr. D~(no3rd) --- Em? ~ A. 2 A. L:! /G -, me from kil-lin' you... - 2.... and from End Rhy. Fig. ----- ~~ Em?
A Fmaj9/C Fmaj91A pull - in' you down with me _ here. Interlude E5 Fmaj9/A Fmaj9/C Em? C5 D5 ~ ~ OJ -Ott. 1 ~" Scream. you ~ qt_______~. ______ oJ -~. 2 A. OJ 'M. -it it~~, tJ =J l---- Gtr. 1 taeet E5 .. ~ e: ~ If. If. : .. 3 e: e: i'0.. ~. loJ mfw/dist. _ ----~. ~. ~. tJ ~~~. ~ ~ ~- Bridge . ,. tJ Vh. .. 3 ~ .. .. .. .. , - i - .. .. - - oj f .. l ~ -l tJ f mf .. let ring - - - - - - - --l wi pick& slightdist. 2 oj ~ ~'---- ----~. "'. Esus2 ASID ASIC 1\. fI. fI. "'fI. '- : ~ cat ASIC #~fI.