By Travis Langley
Batman is among the so much compelling and enduring characters to return from the Golden Age of Comics, and curiosity in his tale has basically elevated via numerous incarnations due to the fact that his first visual appeal in Detective Comics #27 in 1939. Why does this superhero with no superpowers fascinate us? What does that fascination say approximately us? Batman and Psychology explores those and different interesting questions about the masked vigilante, together with: Does Batman have PTSD? Why does he struggle crime? Why as a vigilante? Why the masks, the bat, and the underage associate? Why are his such a lot intimate relationships with "bad girls" he should lock up? And why won't he kill that homicidal, green-haired clown?
delivers clean insights into the advanced internal international of Batman and Bruce Wayne and the lifestyles and characters of Gotham City
Explains mental concept and ideas in the course of the lens of 1 of the world's most well-liked comedian publication characters
Written through a psychology professor and "Superherologist" (scholar of superheroes
Read or Download Batman and Psychology: A Dark and Stormy Knight (Wiley Psychology & Pop Culture) PDF
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Additional resources for Batman and Psychology: A Dark and Stormy Knight (Wiley Psychology & Pop Culture)
Sample text
This is your mask,” Rachel Dawes says, touching Bruce’s face in the film’s last daylight scene. ” Not quite. While one face is truer to himself than the other, as this Bruce Wayne, Christian Bale actually plays three roles: the reckless billionaire playboy, the symbol who must be more than a man, and the flesh-and-blood mortal his surrogate father Alfred knows best. The Dark Knight (2008 Motion Picture) “They’re wise to your act. You got rules. The Joker, he’s got no rules. ” —Sal Maroni (Eric Roberts) The Dark Knight is about inspiration.
However much Lucius Fox and the Wayne Enterprises board members might like for him to get more involved in the family business, he—much like his father—has never gotten engrossed enough in the business in the first place to call his interest in it diminished. He’s no recluse too timid, melancholy, or indifferent to venture out. Feeling of detachment or estrangement from others: Yes, at one point or another, he estranges everyone in his life. Restricted range of emotions: Not really. Admittedly, he doesn’t laugh much when he’s in the mask.
More than any other villains, the Joker and Two-Face reflect Batman himself as funhouse distortions, converses of who and what he is. The laughing, jesting, brightly colored Joker contrasts with the grim, dark Batman. The Joker is the Joker, no alter ego. The film’s opening bank robbery shows him wearing clown mask over clown makeup. Under the surface there’s only more Joker. He gives no history except inconsistent lies. When he finally considers the impact of his demand that Batman unmask, he retracts the threat and demands that Batman’s identity remain undisclosed.