By Konami Kanata
As Chi Yamada has proven, kittens are a creative and robust lot. via play and exploration they learn how to hunt for his or her foodstuff and to outline their territory, very similar to the large cats of the savannah and jungle. Chi's turf now stretches out for blocks. yet after a short ailing spell, she is restrained to her residence domestic whereas her instincts and middle command her to head out to spend time along with her stray neighbors. So after a sneaky get away from domestic, Chi makes her as far back as the corporate of her acquaintances, Cocchi and Blackie, yet this time she departs with a greater knowing of what it skill to be a "cat". What precisely does freedom or being a stray suggest, even though, is anything she is going to need to study first hand. And there is a little a kitty tradition surprise in shop.
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Extra info for Chi's Sweet Home, Volume 9
This would represent a basic characteristic in both The Spirit and any other kind of comic character. There isn’t time for him to wreak retribution on his enemies by more subtle means. I don’t know that the reader would stand still for subtle retribution. I think the reader wants to see a violent outburst. I think they want to see things settled by a gunﬁght. I just don’t see him as violent. I see him as a very human, real kind of character. I think we are basically primitive people who understand the importance of violence.
Or you get letters from people who write about something they feel good about, like the woman who wrote and said “God bless you” after I did a Christmas story. You do develop a consciousness, but you continue to write to an audience that you’ve created yourself, so you have a vision of the kind of audience you are talking to. You can’t work without an audience or the concept of an audience. That’s very important. In my case, I knew my audience to be a certain kind of person—a young college person, perhaps a little more well read than the average comic book reader.
Now, I did create a character called Lt. Grey. Lt. Grey was really what the two I Spy characters are today. I had precisely that idea, that I was going to create an intelligent, well-integrated, acceptable Negro who was every bit as good as his counterparts, and who ﬁtted into the stream of things. Now, no one stopped me, but I remember I was also sensitive to interest; I was responsive to the times. Ebony was done with a great deal of love and aﬀection. I want to tell you something I couldn’t discuss at the meeting, which I think is fair to discuss here.