By Tim Riley
In his commanding new e-book, the eminent NPR critic Tim Riley takes us at the outstanding trip that introduced a Liverpool paintings scholar from a disastrous youth to the top geographical regions of fame.
Riley portrays Lennon' s upward push from Hamburg's purple gentle district to Britain's Royal type exhibit; from the charmed naivet of "Love Me Do" to the hovering ambivalence of "Don't enable Me Down"; from his shotgun marriage to Cynthia Powell in 1962 to his epic media romance with Yoko Ono. Written with the serious perception and stylistic mastery readers have come to count on from Riley, this richly textured narrative attracts on quite a few new and unique interviews with Lennon's neighbors, enemies, confidantes, andassociates; misplaced memoirs written by way of family and pals; in addition to formerly undiscovered urban of Liverpool files. Riley explores Lennon in all of his contradictions: the British paintings scholar who universalized an American sort, the anarchic rock 'n' curler with the ethical backbone, the anti-jazz snob who posed bare along with his avant-garde lover, and the misogynist who grew to become a househusband. What emerges is the large, seductive, and confounding character that made Lennon a cultural touchstone.
In "Lennon," Riley casts Lennon as a modernist hero in a sweeping epic, dramatizing rock background a brand new as Lennon himself may need skilled it.
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Extra resources for Lennon: The Man, the Myth, the Music - The Definitive Life
Sample text
26 27 Whatever his shortcomings as a father, Al bought Jimi his first electric guitar when he was sixteen, a right-handed instrument that he restrung. Jimi took his guitar everywhere, carrying it in a bag because he didn’t own a case. Neither did he have an amplifier. He went to Pernell Alexander’s house to plug in and play. Jimi’s obsession with music brought him into conflict with his father who wanted him to help with his gardening work. Jimi wasn’t much interested in gardening, and feared his father would confiscate his guitar as a punishment.
It was certainly provincial, conservative and stratified when he grew up there, but 36 27 everybody knew each other; there were plentiful jobs when Kurt was a boy; and it was a safe place for children, with space to play, trees to climb and rivers to explore. Sitting on the bank of the Wishkah river under the Young Street Bridge, at the end of his road, Kurt might have imagined himself in The Adventures of Tom Sawyer. It was an ideal place to make a camp. Later, when Kurt found that he wasn’t welcome at home, he camped for real under the bridge, inspiring the song ‘Something in the Way’.
Brian was one. * The term ‘bipolar disorder’ has come to replace ‘manicdepression’, though the older term is helpfully self-descriptive. Generally, the sufferer experiences mood swings, from mania, where they become over-excited, to depression. Creative people are often bipolar, and the disorder is found in many members of the 27 Club. ‘The parents thought he was just a bad child,’ says Linda. ‘He was * For clarity Linda Lawrence is referred to throughout by her maiden name. ’ Brian also suffered from asthma.