Mansfield Park (Barnes & Noble Classics Series) by Jane Austen

By Jane Austen

Mansfield Park, through Jane Austen, is a part of the Barnes & Noble Classics series, which deals caliber versions at reasonable costs to the coed and the final reader, together with new scholarship, considerate layout, and pages of rigorously crafted extras. listed below are the various outstanding beneficial properties of Barnes & Noble Classics: All variants are fantastically designed and are revealed to better standards; a few comprise illustrations of old curiosity. Barnes & Noble Classics pulls jointly a constellation of influences—biographical, ancient, and literary—to enhance every one reader's realizing of those enduring works. From its sharply satiric starting sentence, Mansfield Park dealas with cash and marriage, and the way strongly they have an effect on one another. Shy, fragile Fanny rate is the consummate "poor relation." despatched to stay together with her filthy rich uncle Thomas, she clashes along with his spoiled, egocentric daughters and falls in love along with his son. Their lives are additional advanced via the arriving of a couple of witty, refined Londoners, whose aptitude for flirtation collides with the quiet, conservative nation methods of Mansfield Park.Written numerous years after the early manuscripts that at last turned feel and Sensibility and delight and Prejudice, Mansfield Park keeps Austen’s time-honored compassion and humor yet deals a much more advanced exploration of ethical offerings and their emotional consequences. Amanda Claybaugh is Assistant Professor of English and Comparative Literature at Columbia collage. She additionally wrote the advent and Notes for the Barnes & Noble Classics variation of Uncle Tom’s Cabin.

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Sample text

Austen, Pride and Prejudice, p. 272). ” As master of Donwell, Mr. Knightley is magistrate of the local courts and head of the parish council, and landlord to his tenant farmers and manager of his family’s home farm as well. He dispenses justice and plans new drains, governs parish affairs and cuts new footpaths, and the very heterogeneity of these duties demonstrates his centrality to the community, while his patient attention to all of them confirms, for Emma as well as for Austen, his fitness for the role.

To be sure, social mores had changed somewhat in the years between Austen’s youth and the writing of Mansfield Park, as a growing evangelical movement began to condemn activities that had formerly been seen as innocent, and there is reason to believe that Austen had come to view evangelicals with some sympathy. But the evangelicals condemned novels along with the theater, and this fact alone is enough to remind us that Mansfield Park is no evangelical tract. All this is to say that the judgments Austen will pass on the theater are quite particular: They are not the unthinking expression of custom or belief, but rather the self-conscious exploration of political ideology.

And the more closely we look at this passage, the more clear it becomes that Mansfield remains what it had long been: a place of “propriety” from without and invidious distinctions from within, of apparent “harmony” and actual dissent, of “good sense and good breeding,” but bad morality. The failures of Mansfield seem to be beyond improvement, and it is in this context that we can best understand the novel’s shift in focus from country house to parsonage. Austen famously described Mansfield Park as “a complete change of subject—Ordination,” but the novel proves to be less of a change in subject than we might at first expect.

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