By Michael Kassler
The British Copyright Act of 1709 secure owners of books and track published after 10 April 1710 who gave copies to the corporate of Stationers in London. Upon receipt of a duplicate, frequently inside days of its first ebook, the Stationers' corridor warehouse keeper entered info right into a check in. They incorporated the date of registration, the identify of the work's owner (its writer or, if copyright were transferred, its publisher), and the work's complete name, which in most cases named the composer and the author of any textual content and infrequently named the work's performers and dedicatee. even if a few publishers positioned the phrases 'Entered at Stationers' corridor' on title-pages with out really depositing copies, the knowledge within the registers in regards to the many works that have been registered has major bibliographic price. as the song entries haven't formerly been revealed and entry to them has been tough, they often were missed by means of cataloguers and students, with the final result that a variety of musical works of this era were misdated in libraries and reference books. This publication makes on hand, for the 1st time, the complete textual content of the song entries at Stationers' corridor from 1710 to 1810 and abbreviated information of works entered from 1811 to 1818. Its price is improved via the inclusion of destinations of copies of such a lot works, including indexes of composers, authors, performers and dedicatees, and an explanatory advent via the compiler.
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Additional resources for Music Entries at Stationers' Hall, 1710-1818: From Lists Prepared for William Hawes, D.W. Krummel, and Alan Tyson and from Other Sources
Example text
Primo e secondo 1 book, corno primo e secondo 1 book) for the organ, harpsichord or forte piano. Composed by Phil[ip] Hayes, Bac. , gentleman of His Majesty’s Chapel Royal. , performed at the Jubilee and [at] Stratford upon Avon. , Theodore Aylward] and Mr [Charles] Dibdin. ), words only Entries from 1710 to 1810 Thomas Becket Shakespeare’s Jubilee. A masque by George Saville Carey. ), words only 25 4/9/1769 John Holden An Essay towards a Rational System of Music. By John Holden. 44 11/7/1770 C.
An opera. ] New. No copies received. 47, words only Thomas Wilkinson 3/3/1711–1712 Musick. A Pindaric ode. To Signor Cavalier Nicolini Grimaldi. By Tho[mas] Wilkinson, gent. 1/4/1712 William Corbett Six Sonata’s a 3° for two Àutes or two German Àutes and a bass, consisting of preludes, allemands, corants, sarabands, gavots and jiggs. Dedicated to ye Right Honble Henry Bentinck Earle of Portland, Viscount Woodstock, Baron of Cirencester, Capt. , by William Corbett. Opera Quarta. Libro Primo and Secondo.
By Mr [JeanPhilippe] Rameau. Translated into English from the original in the French language. 5 Entries from 1710 to 1810 17 3/4/1752 Charles Davis An Essay on Musical Expression. By Charles Avison, organist in Newcastle. 56 4/7/1752 Joseph Fox The Parish Clerk’s Vade Mecum; being a collection of singing psalms from the Old Version, suited to every Sunday, festival, and holiday throughout the year. In a method entirely new. By Joseph Fox, parish clerk of St Margaret, Westminster. Nicholas Dukes 25/8/1752 A Concise and Easy Method of Learning the Figuring Part of Country Dances, by Way of Characters.