By Gonzalo Aguilar;
New Argentine Film is the main entire textual content to be released at the new Argentine cinema. whereas anchored in severe discourse and written by way of a tutorial, it additionally has the advantage of utilizing transparent and available language. moreover, the ebook is greater than a learn of cinema; in its pages, the writer displays upon the new quandary in Argentina. within the phrases of Argentine critic Diego Trerotola, “the trajectory of this essay kinds a bright map of over ten years of innovation, as a way to comprehend the cultured paintings of our nationwide cinema.”
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Additional info for New Argentine Film: Other Worlds (New Concepts in Latino American Cultures)
Sample text
1 Thus, what is decisive in this classification is the family as a world of reference and the existence or lack thereof of a stable place (something like a home) to which returns are always possible. According to its orientation, the narration will emphasize either the detritus of capitalism or the breakdown of sedentary institutions. Film that treats detritus can be recognized by the predominance of erratic itineraries and movements toward the world of waste, drifting, and delinquency (all that capitalism attempts to locate, illusorily, in the margins).
There is a family and there is a home, although they are mobile. For its part, Jorge Gaggero’s Vida en Falcon takes place in a single location and documents the days of two men who live inside of two cars parked on the street. 1 Thus, what is decisive in this classification is the family as a world of reference and the existence or lack thereof of a stable place (something like a home) to which returns are always possible. According to its orientation, the narration will emphasize either the detritus of capitalism or the breakdown of sedentary institutions.
But this “theft” would not be entirely effective were it not for the editing and combining of materials that accentuates these indexes of the real. Hence, beyond the return to the genre of documentary, there is also a documentary presence in various fictive films of this generation. indd 29 1/21/2011 3:20:31 PM 30 New Argentine Film register of bodies, space, or objects31—hence the suggestive definition of Serge Daney that “film is that strange art that is made with real bodies and real events” (2004, 288).