By Mingmei Yip
From the acclaimed writer of Peach Blossom Pavilion comes a lush and lyrical novel of East and West--and of 1 younger woman's look for her heart's actual calling. . .
When twenty-year-old Meng Ning announces that she desires to be a Buddhist nun, her mom is aghast. In her eyes, a nun's lifestyles potential basically deprivation--"no freedom, no love, no meat." yet to Meng Ning, it ability the opportunity to manage her personal future, and to dwell in an oasis of song, artwork, and poetry faraway from her parents' unsatisfied union.
With an enigmatic nun referred to as Yi Kong, "Depending on Emptiness," as her mentor, Meng Ning spends the subsequent ten years learning out of the country, disdaining males, and getting ready to go into the nunnery. Then, a fireplace breaks out at her Buddhist retreat, and Meng Ning is carried to safeguard by way of Michael Fuller, a tender American healthcare professional. The remarkable actual touch stirs her interest. And as their tentative friendship grows intimate, Meng Ning realizes she needs to choose from the sensual and the non secular life.
From the austere great thing about China's Buddhist temples to the whirlwind of Manhattan's social elite, and the bright bustle of Paris and Hong Kong, here's a novel of pleasure and heartbreak--and of the awesome paths that lead us the place we so much have to be.
Praise for Peach Blossom Pavilion
"Lovely and poignant. . .a novel of heartache, but additionally certainly one of desire because the powerful heroine by no means supplies in." --Curled Up With a very good Book
"Beautiful and evocative, actual and heart-wrenching. . .insightful and memorable." --Romantic Times
"A infrequent peek into an unique tradition that's exciting, desirable, and moving." –Shobhan Bantwal
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Extra resources for Petals from the Sky
Sample text
Their activities of reading the posters and debating and exchanging ideas animated the space. The square was stretched and expanded when the posters were copied and mimeographed as leaff lets, which were further circulated to a much wider audience all over the country. The square provided a platform for people to meet strangers and saw strangers become friends as private communications on public affairs became public communication by the process of questioning, debating, and reflecting ideas. Even on the occasions when the square was occupied by the authorities (who held “struggle sessions” to attack poster-writers), the students managed to turn such sessions into public debates.
How were the magazines produced and circulated? What was their readership? How were they related to other unofficial media such as dazibao (big-character posters)? What role did they play in social movements? How did they interact with the official institutions? Were these magazines limited by their historical time and physical location? How did they survive repression and censorship? What was the fate of the key individual editors and writers? With this in mind, the subsequent chapters address the chosen minkan as an important form of resistance and explore their agenda and their spirit of political independence.
Since 1985, GAPP has been reestablished. See Xinhua Yubao 1949, 1954, 1987 and He Qinglian’s book, 2006. 16 In a totalitarian system, propaganda and censorship create a situation where people cannot form any independent and collective consciousness as citizens. The CCP carried out continuous campaigns designed to force people to make their very memories conform, in terms of what to forget and what to remember. That is, to forget any accounts of civil resistance and citizens’ consciousness, while at all times remembering the current official ideology.