By Amanda Briggs-Goode
This e-book explains the basics of revealed fabric layout, from layout short via to the finished assortment, and introduces the fundamentals of colour, drawing, composition, and repeat with a sequence of step by step workouts and examples.
Printed cloth Design is helping to demystify the layout procedure and gives a useful consultant to the research and perform of cloth design.
The booklet comprises case reviews of designers operating in either the style and interiors sectors. It covers hand and standard print concepts and the newest electronic print applied sciences, with especially commissioned pictures of the strategies. All features of cloth layout are lined, from sustainability to production and advertising the completed product
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Extra info for Printed textile design
Sample text
COLOUR 55 REPEAT One of the most important technical parameters in commercial textile printing is repeat, or the repetition of a pattern along the length and width of the fabric in mathematical precision. Many designers, particularly those working in design studios for fashion, may not consider repeat in a technical way at all, although designs for interior textiles are nearly always created in repeat. However, even if your designs are not going to be completed in repeat it is important that you are aware of the visual impact of repeat on your design and consider the continuity of the image across the edges of the design, as this gives an indication of the repeat.
Below: Using a pencil to draw this group of fish, Elissa Bleakley captures individual details as well as considering the composition of the subjects. Bottom: Sarah Patterson’s collection uses architectural imagery – beginning her research with simple paper stencils and photographing them in subdued lighting to create dramatic urban landscapes that will inspire her drawings. EXERCISE 2 DRAWING WITH LINE You can approach drawing using linear qualities with the following ideas: Work with the wrong hand.
Within a seasonal palette there may be long-term core colours, long-term fashion colours and short-term fashion colours. Long-term core colours are usually classics such as white, black, navy, beige and grey. Mid-term fashion colours tend to have an impact for several seasons and may be identified as a group, such as deep reds. The short-term fashion colours, which change more frequently, may last for only one season; these tend to be bolder and more impactful. Colour forecasters develop seasonal colour palettes, using trend research to develop these short-term colours and fitting them alongside the colours with a longer lifecycle.