By Alan Lightman
From the acclaimed writer of the foreign top vendor Einstein's goals, here's a gorgeous, lyrical memoir of Memphis from the Nineteen Thirties during the Sixties that incorporates the early days of the films and a strong grandfather whose ghost continues to be an ever-present strength within the lives of his descendants.
Alan Lightman's grandfather M.A. Lightman used to be the family's undisputed patriarch: it used to be his movie show empire that catapulted the Lightmans to prominence within the South, his fearless luck that either galvanized and paralyzed his young ones and grandchildren. during this relocating, impressionistic memoir, the writer chronicles his go back to Memphis in an try and comprehend the origins he so eagerly left at the back of 40 years past. As getting older uncles and aunts start telling kinfolk tales, Lightman rediscovers his southern roots and slowly acknowledges the error in his perceptions of either his grandfather and his father, who used to be himself overwhelmed by means of M.A. the result's an unforgettable family members saga that extends from 1880 to the current, set opposed to a throbbing century of Memphis--the rhythm and blues, the barbeque and pecan pie, the segregated society--and together with own encounters with Elvis, Martin Luther King Jr., and E. H. "Boss" Crump. on the middle of all of it is a relations haunted by way of the reminiscence of its domineering patriarch and the author's fight to appreciate his conflicted loyalties.
(With black-and-white illustrations throughout.)
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Additional info for Screening Room: Family Pictures
Example text
She became the last woman to fall for Bodenheim’s charms. He quickly dragged her down to his level, and they slept on park benches or in abandoned buildings. He mocked her and sometimes beat her, but she remained doggedly by his side. They married in 1952. Ruth was friends with an unbalanced ex-convict named Harold Weinberg. On a bitterly cold evening in February 1954, she and Bodenheim took refuge in Weinberg’s room in a cheap hotel near the Bowery. Weinberg passed a bottle of whisky round, then started to make love to Ruth.
In 1779, having completed his apprenticeship, he was accepted into the recently established Royal Academy Schools, where he consolidated his artistic skills but railed against the fashionable oil painters of the day like Sir Joshua Reynolds (then the Royal Academy’s president), preferring the strong, clean lines of classical and Renaissance artists. He also set himself up as a commercial engraver, a trade he would practice for the rest of his life. In 1782, he married Catherine Boucher. She was illiterate, but he taught her how to read and write, and she became an assistant in his work and devoted companion to the end.
He kept it in an old grandfather clock case in an upper room of his house, along with other natural curiosities including a stuffed hedgehog and a starfish hanging from the ceiling. He was diligent about carrying out Hannah’s final request, and sometimes showed his unusual patient off to visitors (among them the young Thomas de Quincy). White would lead them to the clock case, which was kept upright, open a door at the top of it, lift a little curtain of cloth and reveal Hannah’s face, which was said to look perfectly lifelike.