Seduction of the Innocent by Fredric Wertham

By Fredric Wertham

This is often the well-known publication that almost killed the comedian publication within the Fifties. I OCR'd it from an excellent test, and thoroughly proofread and formatted it. It has all of the unique photographs, and in addition the infrequent appendix with the checklist of publishers (which used to be bodily faraway from so much copies after publication).

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57 Pay attention to ttl: size of the eyes. Give the neck more girth that you would for a young character. e. closed eyes follow 'e. At a low angle, the eyes take on an upward curve. Use the same downward curve for the eyelashes of the upper eyelid that you would for a closed eye. e-ups of the Lips 59 he Basics of the Human Figure Making Effective Use of Even and Tapered Lines a ·ng the muscular ·11 allow you to suggest dness of the male Use a tapered line for the point where the shoulder joins the neck, since it also marks the swell of the muscle.

5. For the hatching inside the iris, use curved lines, maintaining an awareness of the iris's curved surface. 7. To fi nish the eyelashes, the key is to draw shorter lines clustered around a long, central line. Take care to use beautiful, tapered lines. latching to finish off the :::-: pupil. Build up light and -~ •. otating the paper in ·on easiest to draw. When needed, add----for white highlights. 45 • g Contour Lines: Process for Rendering Eyes Using Primarily Contour Lines 1- '-. :. -- -- ~t Draw the contour~ so that both ends come to distinct 2.

Since you are using hatching to render the eye, make sure that the fine contour of the lower eyelid does not evolve into a single (solid) line. Use fine, connecting strokes. 5. For the hatching inside the iris, use curved lines, maintaining an awareness of the iris's curved surface. 7. To fi nish the eyelashes, the key is to draw shorter lines clustered around a long, central line. Take care to use beautiful, tapered lines. latching to finish off the :::-: pupil. Build up light and -~ •. otating the paper in ·on easiest to draw.

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