The Ages of the X-Men: Essays on the Children of the Atom in

The X-Men comedian publication franchise is likely one of the preferred of all time and probably the most interesting for severe research. With storylines that regularly include overt social messages inside of its "mutant metaphor," X-Men is usually credited with having extra intensity than the common superhero estate.

In this assortment, every one essay examines a particular period of the X-Men franchise in courting to modern social matters. The essays are prepared chronologically, from an research of renowned technology on the time of the 1st X-Men comedian booklet in 1963 to an interpretation of a storyline in mild of rhetoric of President Obama's first presidential crusade. a number of spin-off X-Men titles--including iteration X, X-Statix and Academy X--are extensively utilized as resource fabrics.

Topics starting from Communism to famous person tradition to varsity violence are addressed through students who supply new insights into one in every of America's most vital pop culture items.

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Extra info for The Ages of the X-Men: Essays on the Children of the Atom in Changing Times

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That was when the Young Adult Library Services Association scheduled a preconference session on graphic novels, at the American Library Association national gathering in Atlanta in June, which was attended by 175 people. “Get Graphic @ Your Library” was chosen for that year’s theme for Teen Read Week, October 13 –19, and was supported with a Web site on the subject of graphic novels (St. Lifer, 2002: 9). This tied in with the industry’s first promotional “Free Comic Book Day,” which was planned for the Saturday after the opening of the first Spider-Man movie.

Three distinct groups of critics targeted comic books. First were those educators and librarians, who believed comic books diverted children away from better literature, retarded the development of reading skills, and overexcited young minds with lurid tales of superhero adventure. Civic and religious leaders made up the second group to object to comic books. They feared that the violence and sex in comics were a threat to the morality of young readers, and they patterned their attacks after earlier “decency crusades” aimed at pulp novels.

A glossary of comic book terms was compiled by Jane K. Griffin, who noted that in addition to the specialized terms used in comic book publishing, “fandom has its own well-defined culture, making extensive use of slang and shorthand vocabulary” that she did not include in her list (1998, 71). Michael R. Lavin contributed a multipart series, complete with extensive lists, on collecting graphic novels and more broadly on the structure of the comics publishing industry. ’” (1998, 31). Lavin, however, moves beyond the “begrudging” acceptance of comics by librarians to deal with some of the specific objections they raise, by stating, “...

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