By Terrence R. Wandtke
This number of essays analyzes the numerous ways that comedian booklet and picture superheroes were revised or rewritten according to alterations in real-world politics, social mores, and pop culture. between many subject matters coated are the jingoistic beginning of Captain the US within the wake of the McCarthy hearings, the post-World battle II fantasy-feminist function of ask yourself lady, and the Nietzschean affects at the "sidekick revolt" within the 2004 movie The Incredibles.
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Additional resources for The Amazing Transforming Superhero!: Essays on the Revision of Characters in Comic Books, Film and Television
Sample text
While philosophers may argue about the ontological existence of “reality,” it should be readily clear that nobody fully understands this alleged reality, even at the cosmically local scale of our planet. Rather, as a species, we function on this planet through the use of our geographical imaginations (Said 54–55; Gregory 205), which are cognitive maps of the 35 36 Part I: Superheroes in the Golden and Silver Ages world that associate certain values, ideas, and objects with various places in the world.
In his ¡992 work, Reynolds contends that the superhero retains a series of conventions in almost all permutations (including a traumatic origin, superpowers, and a secret identity). Implicitly working the notion of archetypes and Joseph Campbell’s heroic monomyth, Reynolds ties superheroes to a much older tradition of heroic mythologies. Thus, superhero comic books are not junk, may be art, but certainly are myth in an academic sense of the term. In this way, he not only makes the superhero narrative a cross-cultural and transhistorical construct, he also connects the superhero narrative to much older forms of literature, like The Odyssey, which already have a place within the academy.
978. Waid, Mark. Kingdom Come. New York: DC Comics, ¡997. _____. Superman: Birthright. New York: DC Comics, 2005. Wertham, Fredric. Seduction of the Innocent. New York: Rinehart, ¡954. Wolfman, Marv. Crisis on the Infinite Earths. New York: DC Comics, 200¡. X-Men. Dir. Brian Singer. 20th Century–Fox, 2000. X-Men 2: X-Men United. Dir. Brian Singer. 20th Century–Fox, 2003. X-Men: The Last Stand. Dir. Brett Ratner. 20th Century–Fox, 2006. *In each of these cases, I’m only listing the first collected edition in a series of collected editions.