By Holly Wardlow, Joel Robbins
Authored by means of well-established and revered students, this paintings examines the types of efforts which were made to undertake Western modernity in Melanesia and explores the explanations for his or her assorted results. The members take the paintings of Professor Marshall Sahlins as a kick off point, assessing his theories of cultural switch and of the connection among cultural intensification and globalizing forces. They recognize the significance of Sahlins' rules, whereas refining, extending, enhancing and critiquing them in gentle in their personal first hand wisdom of Pacific island societies. additionally providing considered one of Sahlins' much less commonly on hand unique essays for reference, this ebook is an exhilarating contribution to severe anthropological engagement with Papua New Guinea.
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Extra resources for The making of global and local modernities in Melanesia: humiliation, transformation and the nature of cultural change
Sample text
According to the cnlt~ralloglC of this kind of self, if the other - a mining company for example _ obtams wealth, then of course it will share some of its largesse with the self, for the two are connected, and the gold is the mediating, partible dimension which both solidifies and dynamizes the relationship (Wardlow, 2001). Madane, then, is a response to ruptures in this kind of self/other relationship; it is a very ungentle rennnder to the other of his or her obligation. Humiliation, in contrast, depends on an autonomous, delineated, non-partible other which has no automatic obligation to the self and, indeed, successfully repudiates any claims the self has on the other.
Homabe Ainya (Mother of Life! 93) - has been reinterpreted in the contemporary context to reframe the history between Huli people and the various multinational companies that have attempted to develop a gold mine at nearby Mt. Kare (Wardlow, 2001). ' She refuses to answer, so he sarcastically changes the phrase and calls out, 'Mother of Death, Mother of Death,' to which she responds. By answering to this call she has named her child 'Death,' and since we are all descended from this child, she has doomed us to mortality and all its entailments of aging, illness, human conflict, etc.
Lambek and A. Strathem (eds), Bodies and Persons: Comparative Perspectives from Africa and Melanesia, Cambridge, Cambridge University Press, pp. 53-79. LiFuma, Edward (1999), 'The Meaning of Money in the Age of Modernity,' in D. Akin and I. Robbins (eds), Money and Modernity: State and Local Currencies in Melanesia, Pittsburgh, University of Pittsburgh Press, pp. 192-213. McClintock, Anne (1995), Imperial Leather: Race, Gender and Sexuality in the Colonial Contest, New York, Routledge. Ortner, Sherry (1996), Making Gender: The Politics and Erotics of Culture, Boston, Beacon Press.