World War 3 Illustrated: 1979–2014 by Peter Kuper, Seth Tobocman

By Peter Kuper, Seth Tobocman

Based in 1979 through Seth Tobocman and Peter Kuper, World conflict three Illustrated is a hard work of affection run via a collective of artists (both first-timers and tested pros) and political activists operating with the unified target of constructing a house for political comics, pix, and stirring own tales. Their confrontational comics shine a bit fact at the myth international of the yank kleptocracy, and feature encouraged the constructing recognition and popularity of comics as a revered artwork form.

This full-color retrospective exhibition is prepared thematically, together with housing rights, feminism, environmental concerns, faith, police brutality, globalization, and depictions of conflicts from the center East to the Midwest. World warfare three Illustrated isn’t a couple of battle which may occur; it’s concerning the ongoing wars being waged world wide and on our personal doorsteps. World conflict three Illustrated additionally illuminates the warfare we salary on each one other—and occasionally the single happening in our personal minds. World conflict 3 artists were protecting the themes that topic for over 30 years, and they’re simply getting warmed up.

Contributors comprise Sue Coe, Eric Drooker, Fly, Sandy Jimenez, Sabrina Jones, Peter Kuper, Mac McGill, Kevin Pyle, Spain Rodriguez, Nicole Schulman, Seth Tobocman, Susan Willmarth, and dozens more.

World battle three Illustrated is the true factor. . . . As constantly it mixes novices and veterans, emphasizes content material over sort (but has lots of style), retains that content material available and important, and will pay its printers and vendors yet not anyone else. If it had not anything greater than that sort of commitment to suggest it, it'd be priceless. however it has a lot, a lot more.” —New York Times

“Reading WW3 is either a detoxing and an enraging event. The pictures remind us how very severe the issues and the way vile the associations that reason them rather are.” —Utne Reader

“Powerful photograph paintings and comedian strips from the engaged and enraged pens of city artists. the topics comprise poverty, struggle, homelessness and medication; it’s a poke within the eye from the darkish facet of the United States, tempered by means of what the artists describe as their ‘oppositional optimism.’” —Whole Earth Review

“This is art—not marketing—on the newsstand. It represents one of these creativity too not often given an outlet in comics. It’s the easiest and longest working replacement comics anthology around.” —Comics Journal

“The artists of World warfare 3 have cast an area by way of turns harsh and intriguing, sincere and rowdy, boisterous and straight-forward, continuously powered through the wild and unruly harmonies of affection. It’s an area the place wish and background rhyme, the place pleasure and justice meet. Their voices galvanize and soothe and energize. i would like to listen to more.” —Bill Ayers, founding father of the elements Underground

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26 IN GOD WE TRUST?

26 IN GOD WE TRUST?

26 IN GOD WE TRUST?

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