By Martin Lerner
The Kronos number of Indian and Southeast Asian artwork owned via Steven M Kossak, ny, stands definitely within the entrance rank of the more recent iteration of collections. it's been assembled with the first objective of exemplifying the apex of the inventive traditions of the tradition of South Asian, and used to be by no means predicted as an try to comprise a consultant instance of each significant artwork ancient interval. Its scope, like several different collection's, used to be constrained by means of the to be had fabric and the unpredictability of the artwork marketplace, yet this assortment has been greater than often aware of the possibilities of the categorical second. there was a boldness in its formation which may simply have come from a convinced collector with a hugely constructed eye, subtle style, and a willing sensitivity to things. whereas the gathering is a compendium of infrequent and interesting gadgets, the typical denominator all through is caliber; and sculptures and work are incorporated simply because they're aesthetically enhanced artistic endeavors, yet this isn't basically a one-dimensional assemblage of aesthetic delights. extra very important, it's a choice of the best quality that not just instructs and, due to a few of the impressive gadgets it contains, offers a catalyst for charting new classes for destiny artwork ancient studies.
This publication used to be released at the side of an exhibition on the Metropolitan Museum of paintings that happened from September 20, 1984, to March three, 1985. There are huge catalogue entries on all the seventy items within the Kronos assortment, together with jewellery, steel, stone, and wooden sculpture, ornamental arts, parts of structure, and covers and work from illuminated manuscripts. additionally integrated are maps, a particular bibliography, and an exhibition list. [This ebook was once initially released in 1984 and has long past out of print. This version is a print-on-demand model of the unique book.]
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Extra info for The Flame and the Lotus: Indian and Southeast Asian Art from The Kronos Collections
Sample text
I cleared the table and undid the tape and newspaper. It was an animal skull. Great, I thought, just great. Did the old duffer really imag-ine I'd be overjoyed to receive this? He had to have a screw loose, giving a skull for a present. The skull was similar to a horse's in shape, but considerably smaller. From my limited knowledge of biology, I deduced that the skull had been attached to the shoulders of a narrow-faced, hoofed, herbivorous, and not overly large species of mammal. Let's see now.
He spreads wide my right eye with his fingers and pushes the knife into my eyeball. Yet as the Gatekeeper said, it does not hurt, nor am I afraid. The knife sinks into my eyeball soft and silent, as if dipping into jelly. He does the same with my left eye. "When you are no longer a Dreamreader, the scars will vanish," says the Gatekeeper, putting away the tray and knife. "These scars are the sign of the Dreamreader. But as long as you bear this sign, you must beware of light. Hear me now, your eyes cannot see the light of day.
They've got supermarkets out there where you can shop and not say a word. The child really likes supermarkets, she's always going to them. Office to supermarket, supermarket to office. " "The child likes the office. It's got a kitchen and a shower, everything she needs. " I drank my coffee. "How'd you do it? " "Lipreading. " "Lipreading, of course," the old man said, nodding with approval. "A right effective technique. I know a bit myself. " I hastened to reply. "Granted, lipreading's an extremely primitive technique.