Painting in the Far East by Laurence Binyon

By Laurence Binyon

An creation to the historical past of Pictorial artwork in Asia, specially China and Japan.

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Sample text

The police notices couched in just such terms as we use to-day, " Wanted, a man with a grizzled moustache," &c. &c. the police notices are in Chinese. The letters are written in a form of Sanskrit. But the string with which the wooden and in tablets are tied is sealed with a clay seal most cases the seal is a Greek seal, the image of an Athene or a Heracles. Here then we touch three great civilisations at ; ; ; — — ; once : India, Greece, China. Each of these three great civilisations contributes to the building up of Asiatic art.

If rhythm of pure the same treatment, it be a hermit sage in a mountain retreat, the artist's efforts will be concentrated on the expression, not only in the in his 12 THE ART OF EAST AND WEST sage's features, but in his contemplation of intensity whole form, of the rapt towards ; this effect every line of drapery and of surrounding rock or tree will conspire, If trast. it ensure that be a warrior in action, the we heat of blood the shall shall feel the tension of in fury the eye, by force of repetition or of con- of determination.

Birds and beasts, especially the elephants, are drawn with great mastery and animation. We feel that the painters were possessed by their subject they worked with fervour and illustrated ; ; ; devotion. This, and the scale of the frescoes, the energy of the drawing, the beauty and vigour of many individual figures, make a forcible and imposing impression, even though the composition is often turbid, and we are left with a sense of splendid 39 PAINTING IN THE FAR EAST struggle rather than of serene mastery.

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