By Bruce Louden
Extending his targeted research of Homeric epic to the Iliad, Bruce Louden, writer of The "Odyssey": constitution, Narration, and that means, back offers new ways to figuring out the subjects and tale of the poem. during this thought-provoking examine, he demonstrates how repeated narrative motifs argue for an multiplied realizing of the constitution of epic poetry. First deciding upon the "subgenres" of fantasy in the poem, he then reads those opposed to similar mythologies of the close to East, constructing a context within which the poem should be extra competently interpreted.Louden starts by way of concentrating on the ways that the Iliad's 3 events correspond with and touch upon one another. He deals unique interpretations of many episodes, significantly in books three and seven, and makes new arguments approximately a few recognized controversies (e.g., the duals in ebook 9), the Iliad's use of parody, the functionality of theomachy, and the prefiguring of Hektor as a sacrificial sufferer in books three and six. the second one a part of the booklet compares fourteen subgenres of fable within the Iliad to contemporaneous close to japanese traditions comparable to these of the previous testomony and of Ugaritic mythology. Louden concludes with a longer comparability of the Homeric Athena and Anat, a West Semitic goddess worshipped by means of the Phoenicians and Egyptians. Louden's leading edge technique yields extraordinary new insights into the formation and early literary contexts of Greek epic poetry. (Jan. 2008)
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Additional info for The Iliad: Structure, Myth, and Meaning
Sample text
As Aineias is not descended from Laomedon,14 he does not inherit this guilt (discussed in chapter 6). 15 e. The duel includes the same khermadion (‘‘boulder’’) sequence Preliminaries concluded, each duel proceeds according to a similar series of generic gestures: a Trojan makes the first move, throwing his spear into the shield of the best of the Akhaians. Pandaros throws his spear at Diomedes’ shield, piercing the shield and going into his corselet. Diomedes then hurls his spear into Pandaros’ skull, killing him, with Aineias’ taking up a defensive position over the body.
38), drink wine to restore his strength, and offer libation to Zeus. 354). Helen’s speech to Hektor is quite close to her lament in book 24. 762), call attention to her family ties to him. 762 ff ). Hektor has unexpected difficulty finding Andromakhe, who is simultaneously searching for him. He learns she has gone to the tower, in fear. 460). 373, πύργον . . 27 The explicit equation of Hektor’s life with the preservation of the city emphasizes Troy’s impending doom, since a string of motifs here points to his looming death.
124). 365). 23 Hekabe introduces a darker, more serious mood,24 assuming Hektor is in trouble and that he has come to pray. 255). 258; cf. 38), drink wine to restore his strength, and offer libation to Zeus. 354). Helen’s speech to Hektor is quite close to her lament in book 24. 762), call attention to her family ties to him. 762 ff ). Hektor has unexpected difficulty finding Andromakhe, who is simultaneously searching for him. He learns she has gone to the tower, in fear. 460). 373, πύργον . . 27 The explicit equation of Hektor’s life with the preservation of the city emphasizes Troy’s impending doom, since a string of motifs here points to his looming death.